Assisting in theatre, to me, is a responsibility that extends far beyond holding a retractor. It is about supporting the surgeon, the team, and the patient — before the first incision is made, throughout the procedure, and into the post-operative phase. I approach each case with the mindset of service: helping with pre-operative preparation, assisting with anaesthetic support and pre-medication, and ensuring that the theatre environment runs smoothly and efficiently.

In theatre, I maintain a calm and professional presence, attuned to the rhythm of the team and the nuances of the surgeon’s technique. I strive to anticipate needs — whether it’s positioning, instrumentation, or timing — and to communicate clearly and respectfully with everyone involved. My goal is always to contribute not just to technical success, but to the overall morale and flow of the surgical experience.

What sets me apart as an assistant is a combination of spatial awareness, emotional intelligence, and adaptability. I think in three dimensions and acquire new skills quickly. I remain composed under pressure, take feedback constructively, and never allow ego to interfere with performance. I am punctual, presentable, and professional, and I bring a focused yet light-hearted energy to the room. I make it a priority to understand each surgeon’s preferences and style, and to integrate seamlessly into their workflow.

I observe first, integrate fast, and aim to be the kind of assistant who makes the surgeon’s job easier — not only technically, but emotionally and logistically. Because when the team functions at its best, the patient receives the best possible care. That is the standard I hold myself to, every time I step into theatre.